Teletext Chuckle

December 16, 2009 by Paul Fillingham

Teletext shutdown


On the day the UK’s antiquated commercial Teletext service closes down, my eight year old Son is watching Chuckle Brothers on the BBC iPlayer via his Nintendo WII. in a matter of fact way that clearly demonstrates how ubiquitous multiplatform media consumption has become.


Chuckle Brothers with Paul and Gilbert Fillingham


Teletext was of course a uniquely British phenomenon, developed in the late 1960’s which became a standard feature on TV sets by the mid 70’s. The system utilised a couple of spare lines in the PAL TV signal to broadcast hundreds of pages of chunky text providing TV listings, travel information, recipes and other juicy nuggets of information. Teletext offered a simple form of interactivity through it’s three-digit menus, primary-coloured fast-text buttons and ‘reveal’ function.

In the 80’s Teletext fulfilled the British public’s desire for last-minute deals on cheap package holidays with flashing headlines, enticing two-line descriptions and stunning lego-brick graphics of palm trees and ski-slopes. We loved our teletext, but with the arrival of cheap web access in the late 90’s, it was plain to see that our love affair was about to end.

As the analogue to digital switch-over works its way through the nation’s TV network, Teletext will become a distant memory. Perhaps in a few years time I will fire-up my old BBC ModelB Microcomputer and generate a whole new set of retro Teletext-style graphics that some will find strangely appealing?

iPhone Tripod Mount

November 4, 2009 by Paul Fillingham

iPhone Tripod Mount

Here’s the ultimate hands-free accessory for your iPhone. It’s a tripod mount made from an old music cassette shell (the transparent bit) glued to an old camera mount thread. I snipped a side piece away with pliers so that the iPhone can slide in. I also added a bit of foam-board padding underneath to keep the phone nice and stable. Just set your iPhone shooting and slide in, you can view the action through the clear plastic shell, or get in-shot yourself for those cool on-location video-blogs ;-)

 

Sherwood Air Raid

October 19, 2009 by Paul Fillingham

Air-raid siren

Today we had a trip out to Walesby Forest Scout Camp where my son has been learning to canoe. The centre is located within 250 acres of Sherwood Forest and the landscape appeared very familiar to me.
Growing up with Sherwood Forest as a childhood playground instilled a natural affinity for its myths and mystery. In the 70’s we engaged in a traditional form of play which seems strangely alien these days. My parents and grandparents also recalled playing in the woods during wartime with tales of air-raids, evacuees and Allied troops. These were augmented with time-honoured ghost stories and the legend of Robin Hood.
Millitary Service wasn’t terribly common in North Notts villages as many people worked in reserved occupations such as coal mining, farming and munitions. Miners enjoyed this reserved status throughout the 1950s when conscription was still compulsory in Britain.
The “swinging sixties” as presented by TV and the media barely existed in our North Notts village. World War Two was still prevalent in the minds of local boys as demonstrated by the popularity of playground games like Lancaster and British Bulldog and plain old war games using wooden sticks for guns. Commercial toys like bolt-action rifles, uniformed Action Man figures, Airfix models and later, board games such as Escape from Colditz all perpetuated the wartime mythology for me and my friends growing up in the early 1970’s.
The notion that Sherman tanks had once trundled through the woods or that a German bomber had crashed in the neighbouring village was exciting to us. Less savoury aspects of the war were relayed by a Jewish lady in Mansfield Woodhouse whose father was killed by the SS in front of her eyes with knives and meat cleavers taken from their butcher’s shop. My parents were always careful to explain that the Nazi threat was very real and would have had dire consequences for Britain.
It was interesting wandering through the forest at Walesby, discovering the remains of wartime buildings and a nicely preserved air-raid siren, the type that was still used in our village to call retained firemen to the fire station on Mansfield Road whenever there was an emergency. The ghostly wail of the air-raid siren was quite a novel event during my childhood, though it seems odd to reflect on the fact that I was born only sixteen years after the end of the second world war, during which, such a sound would have struck terror into the local inhabitants of our village.

Today we had a trip out to Walesby Forest Scout Camp where my son has been learning to canoe. The centre is located within 250 acres of Sherwood Forest and the landscape appeared very familiar to me.

Growing up with Sherwood Forest as a childhood playground instilled a natural affinity for its myths and mystery. In the 70’s we engaged in a traditional form of play which seems strangely alien these days. My parents and grandparents also recalled playing in the woods during wartime with tales of air-raids, evacuees and Allied troops. These were augmented with time-honoured ghost stories and the legend of Robin Hood.

Millitary Service wasn’t terribly common in North Notts villages as many people worked in reserved occupations such as coal mining, farming and munitions. Miners enjoyed this reserved status throughout the 1950s when conscription was still compulsory in Britain.

The “swinging sixties” as presented by TV and the media barely existed in our North Notts village. World War Two was still prevalent in the minds of local boys as demonstrated by the popularity of playground games like Lancaster, British Bulldog and plain old war games using wooden sticks for guns. Later in the 70’s, commercial toys like bolt-action rifles, uniformed Action Man figures, Airfix models and later, board games such as ‘Escape from Colditz’ or ‘Dad’s Army’ all perpetuated the wartime mythology for me and my friends.

The notion that Sherman tanks had once trundled through the woods on military exercises or that a German bomber had crashed in the neighbouring village was exciting to us. My parents were always careful to explain that the Nazi threat was very real and would have had dire consequences for Britain. My mother once introduced me to a Jewish lady in Mansfield Woodhouse whose father was killed by the SS in front of her eyes with knives and meat cleavers taken from their butcher’s shop. Her chilling tale still disturbs me to this day.

It was interesting to wander through the forest at Walesby, discovering the remains of wartime buildings and a nicely preserved air-raid siren, the type that was still used in the 70’s to call retained firemen to the fire station on Mansfield Road. The ghostly wail of the siren was quite a novel event during my childhood, though it seems odd now to reflect on the fact that I was born only sixteen years after the end of the second world war, during which time such a sound would have struck terror into the local villagers.

Friendly feather

September 19, 2009 by Paul Fillingham

I found a feather on my dewy lawn on Sunday 13th September 2009, shortly before embarking on a family trip to Skegness.

During WWI and II the white feather symbolised cowardice and was offered to non-combatants as a form of challenge. But the white feather does have other meanings. As a child growing up in the 1960’s I learned that a white feather indicates the spiritual presence of a deceased friend or loved one.

Muriel's feather

I’ve seen many such feathers, though none of them  demanded to be immortalised like this one? I later discovered that a friend died suddenly on Sunday.

John Lennon understood this spiritual meaning of white feathers as expressed by his son Julian at the White Feather Exhibition in Liverpool.

Enquire Within – A Victorian adventure

September 7, 2009 by Paul Fillingham

In the early 1970’s my adopted Grandmother Alice Meason gave me a book that bore the intriguing title ‘Enquire Within Upon Everything’. She had been presented with the book in 1915 as a reward for good attendance at the Rosemary Girls’ “Evening” School.

Although the book’s origins went back to the Victorian era, some of it’s carefully catalogued entries contained common sense advice that still seemed relevant to me as a boy. ‘Enquire Within’ became a favourite part of my personal library which was then very much geared towards the avoidance of school homework!

Enquire Within - book introduction

The opening page to the book read’s thus;

Whether you wish to model a flower in wax; to study the rules of etiquette; to serve a relish for breakfast or supper; to plan a dinner for a large party or a small one; to cure a headache; to make a will; to get married; to bury a relative; whatever you may wish to do, make up or enjoy, provided your desire has relation to the necessities of domestic life, I hope you will not fail to ‘Enquire Within’” – Editor.

When consulting the book, countless hours could be lost, sifting through page-upon-page of bite-size nuggets of information. The book’s florid editorial-style was tempered with concise instructions on how to accomplish practical tasks. Finding an entry invariably provided a jumping off point for some other loosely related item, then another and another, until you were so immersed in the book that you had little or no recall of the original query. – This of course has a familiar ring to it!

Since 1995 I’ve thought that this totally absorbing publication shares parallels with the way in which people use the internet. It therefore comes as no surprise to learn that one of the founding father of the web; Sir Tim Berners-Lee also read the book as a child, citing ‘Enquire Within Upon Everything’ as his original inspiration for the World Wide Web.

The influence was so strong that his original program for linking electronic information written in 1980 was called ‘Enquire’.

Carry that thought with you as you follow the hyperlink to a few sample pages from ‘Enquire Within’. I hope your onward journey is as fruitful and absorbing as my Grandmother’s old book.

Left Lion, write lion

September 4, 2009 by Paul Fillingham

I thoroughly enjoyed the presentation by Left Lion at the Nottingham Writer’s Studio last night. Often mistaken for a student gig-listing, Nottingham’s Left Lion website is emerging as a cultural hub for creative pursuits within and around Nottingham.

The three main protagonists Jared Wilson, James Walker and Al Needham delivered anecdotes and admitted differences as diverse as the publication itself. Subjects such as Nottingham’s Xylophone Man, the legendary Variety Club, Sillitoe, gun crime and prostitution were all covered.

Al Needham’s acidic wit was particularly amusing. At one point, expanding the Left Lion print publication into supplements was mentioned, including a tongue-in-cheek reference to a Mansfield edition, (implying Mansfield is an illiterate place). Naturally, I identified myself as being from Mansfield, championing my home town.

Commercial media outlets took a good pasting from Left Lion and NWS members alike. It was generally accepted that output from The Evening Post, Central TV News, and Radio Trent was patronising and largely irrelevant with editorial control conducted from Derby, Birmingham and London respectively.

To a degree, the success of channels like Left Lion can be attributed to the failure of the local broadcasters/publishers to keep in-touch with the real community and the growing trend for long tail narrow-casting.

Earlier this week, I was encouraged by the quality and depth of the Left Lion podcast. I look forward to seeing whether David can triumph over Goliath in the years ahead?

Compton Verney – Review

August 16, 2009 by Paul Fillingham

Today we visited Compton Verney, a country house located in rural Warwickshire. The building which had lain derelict for many years was restored in 2004 by the Peter Moore’s Foundation and now houses an art collection of international standing.

Busty Sphinx

From the moment we arrived in the leafy car park and walked along the sweeping drive across a bridge flanked by a set of busty Egyptian-styled sphinx, we knew we were in for a quality experience. The level of service provided by gallery staff from the front desk right through to the excellent café and shop was faultless and more than compensated for a rather disappointing evening spent in Stratford-upon-Avon.

I was initially attracted to the gallery after discovering a weblink to its ‘Subversive Spaces’ show, an exhibition of Surrealist works, both historic and contemporary. This multi-disciplined show includes video installations, photography, sculpture and painting and easily matches anything I have seen in prestigious city venues like London, New York or Paris.

http://www.comptonverney.org.uk

http://www.flickr.com/photos/comptonverney/

An interesting Surrealist sub-theme explored the idea of wandering through mysterious dreamlike city spaces. This was captured perfectly in a witty split-screen video entitled ‘Sample City’ by performance artist Calin Dan. The video was simple and featured a man wandering through Bucharest with a front-door on his back. It was interesting to see the reaction of passers-by as he traversed this decayed cityscape. The video revealed the decayed beauty to be found in any European city, delivered in fast cuts and wipes against a distorted beatbox soundtrack that was so frantic that it had me smiling from ear-to-ear.

There are many gallery spaces to explore at Compton Verney and the mix of Georgian with contemporary details such as translucent staircases makes it easy to forget that you are actually inside a stately home.

I’m usually drawn more to contemporary art, but traditional canvases by John Constable work so well in this setting that we devoted a great deal of time immersed in the work of this masterly English painter. Compton Verney also houses a impressive collection of ancient Chinese bronzes, some dating-back almost three thousand years. This is supported by a timeline illustration spanning the entire length of the gallery which puts everything into perspective, listing events such as the invention of the wheel and the very first British settlements (5000BC) through to present day.

There is a really interesting themed exhibition opening in September entitled ‘The Artist’s Studio’ this will feature studio spaces of Francis Bacon and my all time favourite sculptor and pop-artist Eduardo Paolozzi. – Looks like we will be traveling to Warwickshire again in the autumn.

A fist full of graphite

August 6, 2009 by Paul Fillingham

I’m reliably informed that a Creative Nottinghamshire Blog is taking shape. The site advocates the development of Web2.0 communities in the context of social inclusion or ‘Digital inclusion’ as it is known in political circles.

I tried to explain the idea of ‘Digital Inclusion’ to my Dad. He’s an intelligent man and given that he lived and worked in a North Notts mining area for so many years, I thought he might appreciate the allusion to the community values we enjoyed in our village in the sixties and seventies.

I quoted from the (Creative Nottinghamshire) Blog: “Hyper-local blogs create a social graph that catalyses people around a suburb.”

Dad’s eyes glazed over as if I was speaking in a foreign language. This was jargon, dispassionate robot-speak. He lost interest, became more focussed on where he’d left his Sky remote. When he couldn’t find it he phoned his best friend, another ex-miner and they arranged to meet in the local pub. There they could chat with friends and watch football on the big screen.

I never really cared much for sport. At school there were too many injuries, too much bullying involved from teachers and pupils alike and I never recovered from that. To an extent, exclusion from these activities shaped me as a person. When a working class lad turns his back on football – our national game, he is considered by his peers to be ‘less of a man’ and that makes him an outsider.

Right there, in the bungalow of my ageing parents, I began to question the merits of inclusion. I needed answers and Google seemed a good place to start. Unfortunately my parents don’t have a computer, the first stumbling block for the Government’s stated policy on ‘Digital Inclusion. ‘ Luckily, I had internet access via my iPhone. I keyed in ‘Digital Inclusion’ resulting in a page of links pointing to Government consultation papers. These were well-meaning and ambitious but the presentation style was as dry a Nun’s fanny (my Mum’s metaphor not mine).

Frustrated, I clicked the Facebook icon, beaming myself out of Mansfield and into the future utopia envisaged by career-minded Web 2.0 advocates. I found myself transported to a place where technology is warm and cuddly. This place delivers on the promise of ‘Digital Inclusion’ but it feels homogenised, like a shopping-mall food-court masquerading as a Mediterranean market place. Character and individuality are subordinated and displays of dissent will not be tolerated by the Management.

Inclusion doesn’t guarantee creative integrity. On the contrary, I take strength from the fact that the greatest artistic achievements of the last hundred years have been born out of the determined effort of isolated individuals.

Submission deadline

August 5, 2009 by Paul Fillingham

I was shocked to discover that Leeds poet Steven Wells (or Seething Wells as I remember him) died of cancer back in June of this year. There I was just following some dumb Guardian article about the (obvious) demise of the Album format, when up pops this list of obituaries. Jacko? Yeah, we all know about Jacko’s demise, and weeks later it’s still Jacko, Jacko, Jacko on the front of the tabloids and celebrity rags. But as I scanned the list it mentioned Steven Wells from Bradford? Seething Wells? – Surely not?

I followed the link to Philadelphia and there he was on the screen with his piercing blue eyes and rugged Northern blue-face. Steven is not Jacko. It bothers me that someone so sincere could be eclipsed by someone so delusional, but that’s the way of the world. My response to the news of his death was feeble, late, Twittering impotently to a jaded audience, though my Tweet did connect almost immediately with my art-school contemporary Michael Kay.

Now living in the USA, Mike, like many of us informed by Britain’s Thatcherite experiment, has fond memories of Mr Wells. We witnessed the ‘people’s poet’ performances on several occasions during our Fine Art Degree Course at Leeds Polytechnic between 1980 and 1983. In the years after college, Steven would appear occasionally in listings for benefit gigs and alternative music programmes from Channel 4. I wasn’t aware of the migration to Philadelphia. My God, what on earth did the Americans make of his acidic wit?

Like many of my Leeds contemporaries from the 80’s, Steven Wells had an edge to him, a belligerent streak that defied all attempts to silence him, sad then, that he should be forced into submission by a malignant cancer. Steven’s last pieces written for the Philadelphia Weekly are humbling to say the least.

Looking for dignity – Philadelphia Weekly

App app and away

August 1, 2009 by Paul Fillingham

I’ve just woken up from a vivid dream that wasn’t so much a dream but a true event from my early teens.

I wanted to get the story down fast, so I used my iPhone’s built in notes application to key it in. I then searched for a WordPress application in the iPhone App-Store as I was pretty sure such an application existed.

Download was free and installation was easy and within minutes I was using the copy and paste function to get the story into the WordPress App.

The story is now sitting in a ‘Local Drafts’ folder on my iPhone awaiting a little editing and final upload to the dreamtargets blog.

I love it when technology actually works the way you want :-)